In an era of clinical, over-digitized, electronic beats and cynically polished uniformity, Jardsoul's pared-down, straight-out rock and roll seems like an anomaly. Breaking away from the cookie-cutter, uninspired pre-packaged bands that dominate the music business today, Jardsoul has launched a maverick attack to embrace straightforward, honest rock and roll. Turning out songs powered by ferocious riffs, deeply personal lyrics and compelling melodies, Jardsoul seems deceptively accessible. Listen closely and you’ll catch the belligerent energy of honest creativity. It's this clarity that is the source of Jardsoul's power.

Live, Jardsoul is a musical catharsis, both for audience and band members. Whether it's the fierce power riffs from the guitar of James Gillespie, the pulsing rhythm section of Rob Cornetto on bass and Spencer Peller on drums, or the melodic and emotive wail of Keoni's unique vocals, the fevered intensity of their live performances never fails to bring an audience to its feet. Locals in NYC know this already, as Jardsoul has become a favorite at renowned rock venues like Arlene's Grocery, Don Hill's and CBGB. After a roof-shaking debut at Velvet Revolver's Snitch, the manager gave Jardsoul a carte blanche to play the club whenever they want.

Jardsoul began when James Gillespie and Rob Cornetto first played together in the Long Island band, Couch. Recognizing kindred spirits in each other, James and Rob decided to make music on their own terms. Embracing a philosophy of playing stripped down rock and roll and with a progressive mind-set, they branched off to start a new band.
Knowing that a strong frontman would be a cornerstone in the type of band they wanted, James and Rob began the search for the perfect voice. After a seemingly endless series of jams, a mutual friend introduced them to Keoni. Keoni was a veteran of the music scene, having sung and played guitar in several different cover and original bands around the New York and Seattle areas.

James knew he was a perfect fit for the band during their first session together. “Keoni got the vibe of the band instantly and we knew he would add a key dimension to our songwriting - not to mention his voice was so amazing and unique, we knew he was our frontman." Keoni joined the band, and in a matter of weeks, James and Rob had finished the first four songs for Jardsoul.

In 2003 they released their self-titled EP “Jardsoul.” Fueled by defiant rockers like “Time” and “Shine,” the emancipating call to arms “Scrape” and the melodic power-ballad “Pull Me Through,” it showcased the diversity of the core group members. Jardsoul had developed an accessible melodic rock sound that, like Alice In Chains and Soundgarden before them, maintained its edgy rock roots.

For the first two years, the band played with various drummers. Again, they realized, they needed a drummer who could share its vision. Soon Spencer Peller auditioned, and after a couple of sessions, it became obvious he was the one. With a full line-up and high expectations, Jardsoul took its show on the road, all the while refining their sound and developing a dedicated local following.

Taking advantage of the gigs for inspiration, the band began working on new material for a break-out full-length album. "Release Me” debuted in front of an ecstatic packed house at Crash Mansion in New York City. The early reviews are overwhelmingly positive. “Release Me” is a sophisticated tour de force, which unleashes the full scale of Jardsoul’s virtuosity. Whether it’s the bitter wail of the ferocious “Love and Mercy,” a deceptively catchy self-parody like “Don’t Ask My Name” or the poignant beauty of “Song For Dad,” Jardsoul’s sophomore effort showcases the passion of a band that has only begun to “Shine.”